Practical Exploration of Chinese Freehand Landscape Painting Language Based on Innovation Deconstruction and Reconstruction of “Bao shi Cun”

Lanlan Xu; Qiang Zhou

doi:10.70082/cijpca.v21i4.1000

Vol. 21 No. 4 (2024): Volume 21, Number 4 – 2024

Original Article

Practical Exploration of Chinese Freehand Landscape Painting Language Based on Innovation Deconstruction and Reconstruction of “Bao shi Cun”

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Lanlan Xu,
Qiang Zhou

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Lanlan Xu
Department of Teacher Education, Ma'anshan Teacher's College, Anhui 243000, China

Qiang Zhou
Ma'anshan City Taibai Calligraphy and Painting Academy,Anhui 243000,Chain

DOI: https://doi.org/10.70082/cijpca.v21i4.1000

Published 2025-02-13

Keywords

Freehand Brushwork In Chinese Painting, Baoshi Cun, Deconstruction, Innovation Of Landscape Painting

Abstract

Fu Bao Shi's original "Bao Shi Cun" opened up a new pattern of Chinese painting creation language. On the basis of a profound understanding and perception of the traditional and creative characteristics of "Bao Shi Cun", a new form of landscape painting that not only inherits the characteristics of Chinese painting language, but also conforms to the modern aesthetic concept is constructed by decomposing the structure of this kind of Cun and strengthening the tension, creating a new realm of freehand brushwork landscape painting with abstract illusion.

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