Aesthetic Philosophy in Digital Media: New Reflections on the Representation and Aesthetic Experience of Animation

Abstract

The lack of correct understanding of aesthetic elements among the relationships between visual elements and their application in the first place with animation has caused a lack of attention among the practitioners of this art and technique. This infrastructure is called aesthetic in animation. In today's world, which is somehow called the era of communication, the exchange of information and the transfer of concepts, ideas, and opinions among the cultures of different nations has an important place, and also the advancement of technology and practical tools to be used in this way requires a lot of consideration. The category of using images instead of text in speeding up the transmission of messages has been given a sensitive position, which creates the need for a category called image language. We see the most effective use of this image language in various branches of television graphics. This research aims to review the ratio of external and internal effective elements in animation and expand the topic of aesthetics in animation to the philosophy of aesthetics in digital media in China with a descriptive-analytical method.