Aesthetic Value and Cultural Philosophy in Opera: A Cross-Era Perspective

Abstract

The evolution of Chinese opera can be broadly categorized into three distinct stages: the exploration phase (1919-1944), the foundation phase (1949-1955), and the ongoing period of deep development (post-1955). Our study explored various aspects of Chinese opera, from participant demographics to historical influences and the evolving nature of aesthetics. The analysis of participant data revealed a diverse group of individuals interested in Chinese opera, with composers, directors, singers, and musicologists represented. The Ming Dynasty (1368-1644) operas explored themes of loyalty, duty, and family obligation, reflecting the dominant Confucian ideology. The Qing Dynasty (1644-1912) shifted towards stories celebrating the emperor and Manchu cultural elements. Republican Period (1912-1949) operas mirrored social unrest with themes of social justice and rebellion. Finally, the People's Republic of China (1949-present) initially focused on socialist ideology and the working class, but later embraced national identity, historical narratives, and even a return to traditional themes alongside contemporary social commentary. Overall, this study provides a foundation for future research on Chinese opera, particularly regarding audience engagement with the art form's ongoing evolution.