Exploring the Synthesis of National Elements and Modern Creative Techniques in Ma Sicong's Suite of Tibetan Music Poems

Abstract

In this paper, we conduct an in-depth analysis of Ma Sicong's Tibetan music poem suite, exploring the integration of national elements and modern creative techniques. Ma Sicong incorporates Tibetan folk instruments, such as the French horn and Reba drum, into his music, collaborating with the symphony orchestra to create a unique musical effect. He flexibly adjusts the musical form structure, preserving the traditional charm while showcasing modern innovation. The aim of this paper is to provide a theoretical framework for accurately grasping the essence of music style, offering valuable insights for music composers.