Philosophy of Cultural and Creative Innovation in Lusheng Musical Instruments in Qiandongnan Miao and Dong Autonomous Prefecture

Abstract

The study focused on the philosophy of cultural and creative innovation in Lusheng musical instruments in Qiandongnan Miao and Dong Autonomous Prefecture. It employed a qualitative research methodology, which entailed conducting interviews and observations with a diverse group of informants, including Lusheng musicians, cultural leaders, artisans, and community elders. The research found that highlights are a complex interplay between philosophy, cultural heritage, and creative innovation. The traditional 6-pipe Lusheng, deeply embedded in the cultural practices of the Miao and Dong communities, is a powerful symbol of cultural identity and continuity. The evolution of the Lusheng focuses on the philosophy of cultural preservation and the creative innovations that have enabled the instrument to adapt to modern contexts. Through the pioneering work of Mr. Dong Dan Gan and his successors, the Lusheng has transformed from a traditional instrument with limited tonal capacity to a versatile musical tool capable of performing a wide range of compositions. This transformation underscores a philosophical commitment to maintaining cultural roots while embracing necessary changes to remain relevant. The study further examines the multifaceted role of the Lusheng in various aspects of community life, including funeral rituals, celebration festivals, economic activities, and education. This reflects a dynamic interplay between tradition and innovation, ensuring its ongoing cultural significance. Strengthening education, encouraging innovation, promoting tourism, and supporting government initiatives are essential to preserving this heritage. These efforts will ensure the Lusheng remains vibrant and relevant for future generations.