Cultura

Analytical Study of Musical Innovation in Prabhata Samgiita Gharana

VOLUME 23, 2026

The Role of Targeted Infra-popliteal Endovascular Angioplasty to Treat Diabetic Foot Ulcers Using the Angiosome Model: A Systematic Review

VOLUME 6, 2023

KANIKA DEBNATH, Dr Arkadev Bhattacharya

Abstract

Composed by Prabhat Ranjan Sarkar between 1982 and 1990, Prabhata Samgiita is a massive collection of 5,018 songs that combines modern, folk, classical, and semi-classical musical elements into a cohesive aesthetic framework. In addition to being a musical compilation, this one-of-a-kind body of work is a notable artistic and cultural innovation in Indian music. The current study investigates Prabhata Samgiita as a developing musical "gharana" and looks at its creative contributions to modern Indian musical traditions. Prabhata Samgiita represents a contemporary experimental framework in contrast to conventional gharanas, which are mostly founded on inherited transmission, strict stylistic criteria, and long-standing performance practices. It is distinguished by thematic universality, raga flexibility, multilingual composition, and stylistic synthesis. These characteristics enable it to maintain its fundamental aesthetic values while transcending the traditional bounds of Hindustani classical music.
The study uses a qualitative and descriptive analytical approach that draws on secondary sources, such as scholarly interpretations, published literature, and musical evidence. The study examines Prabhata Samgiita's structural and expressive aspects using topic and comparative analysis. Results show that this musical system includes important novelties like the synthesis of Eastern and Western musical traditions, emotional diversification, poetic inclusivity, and adaptive usage of ragas. Additionally, by encouraging openness, universality, and a global musical consciousness, Prabhata Samgiita broadens the conceptual bounds of the gharana tradition. It redefines the conventional notion of gharana systems in Indian classical music by shifting the emphasis from lineage-based musical identity to composition-based originality. According to the study's findings, Prabhata Samgiita serves as a "neo-gharana model" that unites modernity and tradition. By providing a new paradigm that combines classical discipline with inventive musical expression and a universal artistic vision, it makes a substantial contribution to the development of contemporary Indian music.

Keywords : Prabhata Samgiita; Neo-gharana; Musical innovation; Indian classical music; Raga flexibility.
Erin Saricilar
Lecture in accounting. University of Basrah, College of Administration and Economics, Department of Accounting.

Abstract

Atherosclerotic disease significantly impacts patients with type 2 diabetes, who often present with recalcitrant peripheral ulcers. The angiosome model of the foot presents an opportunity to perform direct angiosome-targeted endovascular interventions to maximise both wound healing and limb salvage. A systematic review was performed, with 17 studies included in the final review. Below-the-knee endovascular interventions present significant technical challenges, with technical success depending on the length of lesion being treated and the number of angiosomes that require treatment. Wound healing was significantly improved with direct angiosome-targeted angioplasty, as was limb salvage, with a significant increase in survival without major amputation. Indirect angioplasty, where the intervention is applied to collateral vessels to the angiosomes, yielded similar results to direct angiosome-targeted angioplasty. Applying the angiosome model of the foot in direct angiosome-targeted angioplasty improves outcomes for patients with recalcitrant diabetic foot ulcers in terms of primary wound healing, mean time for complete wound healing and major amputation-free survival.
Keywords : Diabetic foot ulcer, angiosome, angioplasty