Sculpture is a representative visual expression of the modern living environment, which plays an extremely important objective role in reaching the culture of the Chinese people and their aesthetic feelings. As the heart and soul of modern sculpture, sculptural language expression plays an irreplaceable role in the research and creative practice in the field of sculptural art. Along with the gradual advancement of the diversification of art creation in modern China, the ideographic elements of sculptural language expression in China are still undergoing corresponding transformation in the general environment of changing social forms. The language of narrative shifted from grand narrative discourse to micro-narrative, and art creation in this context became more realistic, whether the content was objectively real or illusory, and was an indirect reflection of social life. Whether it is a figurative human figure or an abstract and variable geometric form, the richness and variety of emotions are highlighted by the modeling design, and it is with the influence of emotions that the aesthetics of sculpture can be deepened. This paper focuses on the micro-narrative language embodied in different shapes in contemporary sculpture art.