Cultura

Realistic Expression and Emotional Rhetoric of Music: A Study on the Style Characteristics and Emotional Aesthetics of Music in Baroque Period

VOLUME 21, 2024

The Role of Targeted Infra-popliteal Endovascular Angioplasty to Treat Diabetic Foot Ulcers Using the Angiosome Model: A Systematic Review

VOLUME 6, 2023

Pan Hu
School of Music, NanJing XiaoZhuang College, Nanjing, Jiangsu,210000, China

Abstract

The Baroque period, which originated in Italy in the second half of the 16th century and reached its peak in the 17th century, represents a significant symbol of the mainstream cultural characteristics of the 17th and 18th centuries. The music art of this period has a unique symbolism and guidance, both in the performance and the work itself reflects the characteristics of this era. This study mainly studies the style and characteristics of Baroque Music: first, the humanistic nature of the music subject, which emphasizes human emotion and performance; Secondly, the lyrics of Baroque music are usually literary and poetic; Then there is the emotionality of melody change, which often conveys profound emotions; Next is the diversity of forms of expression. Baroque music is famous for its various forms and structures; Finally, the flexibility of accompaniment texture, which allows musicians to express emotion and creativity in performance. Finally, by discussing the emotional aesthetics in Baroque music, we can deeply understand the emotional expression and rhetorical use in music, and then learn from the experience of this special historical period to provide beneficial enlightenment for the development of modern music.

Keywords : Baroque Period, Music, Style Characteristics, Emotional Aesthetics Introduction..
Erin Saricilar
Lecture in accounting. University of Basrah, College of Administration and Economics, Department of Accounting.

Abstract

Atherosclerotic disease significantly impacts patients with type 2 diabetes, who often present with recalcitrant peripheral ulcers. The angiosome model of the foot presents an opportunity to perform direct angiosome-targeted endovascular interventions to maximise both wound healing and limb salvage. A systematic review was performed, with 17 studies included in the final review. Below-the-knee endovascular interventions present significant technical challenges, with technical success depending on the length of lesion being treated and the number of angiosomes that require treatment. Wound healing was significantly improved with direct angiosome-targeted angioplasty, as was limb salvage, with a significant increase in survival without major amputation. Indirect angioplasty, where the intervention is applied to collateral vessels to the angiosomes, yielded similar results to direct angiosome-targeted angioplasty. Applying the angiosome model of the foot in direct angiosome-targeted angioplasty improves outcomes for patients with recalcitrant diabetic foot ulcers in terms of primary wound healing, mean time for complete wound healing and major amputation-free survival.
Keywords : Diabetic foot ulcer, angiosome, angioplasty