Paper cutting art represents a significant aspect of China's traditional folk culture. Particularly noteworthy is the paper cutting carving tradition in Mianyang, Hubei, which synthesizes artistic styles from both northern and southern regions while also embodying the cultural heritage of Chu. This amalgamation has cultivated distinctive artistic traits, elucidating the unique beauty inherent in Mianyang's paper cutting carving. With a rich historical lineage and profound artistic merit, Mianyang's paper cutting tradition dates back to the late Ming and early Qing dynasties and has earned recognition on the United Nations Cultural Heritage List. Paper cutting serves as a vibrant expression of life, rooted in and reflective of diverse human experiences across different locales. Its distinct characteristics offer insights into regional customs, environments, and livelihoods, thereby underscoring the rich tapestry of folk traditions and geographic disparities. This paper delineates the humanistic narrative behind Yang carving paper cuttings, delves into its technical intricacies, patterns, and artistic nuances, while also outlining its applications and prospects for preservation and development as an intangible cultural heritage. By exploring the cultural resonance and artistic evolution of traditional paper cutting, which encompasses both Yang carving and contemporary expressions, this study underscores the imperative of inheritance and innovation within the realm of intangible cultural heritage. The synthesis of these elements carries profound significance in elucidating the cultural connotations and artistic attributes that define this enduring tradition.