Purpose: This study aims to conduct a comparative analysis of cinematic narratives from Eastern and Western traditions to explore their axiological foundations and cultural values. By examining a diverse selection of films, the research seeks to uncover the ways in which cinema reflects and communicates philosophical ideas and cultural values, and to identify similarities and differences between Eastern and Western perspectives. Method: A qualitative approach was employed, focusing on thematic analysis of selected cinematic narratives. Films were chosen based on criteria such as cultural relevance, thematic richness, and critical acclaim. Data collection involved viewing and analysis of the selected films, with themes related to axiological foundations and cultural values extracted through systematic coding and categorization. The thematic elements were then compared across Eastern and Western narratives to identify patterns and differences in their portrayal. Findings: The analysis revealed distinct axiological themes and cultural values in both Eastern and Western cinematic narratives. Eastern films often emphasized themes of harmony, balance, and interconnectedness, reflecting the philosophical traditions of Confucianism, Taoism, and Buddhism. In contrast, Western films tended to focus on individualism, rationality, and the pursuit of personal meaning, echoing the philosophical tenets of Platonism, Aristotelianism, and Existentialism. Despite these differences, common themes such as love, justice, and the search for meaning transcended cultural boundaries, highlighting the universal aspects of human experience portrayed in cinema. Implications/Originality: This study contributes to the fields of comparative philosophy, cultural studies, and film studies by offering new insights into the intersection of philosophy, culture, and cinema. By examining cinematic narratives from diverse cultural contexts, the research provides a deeper understanding of the axiological foundations and cultural values that shape human societies. The findings have implications for cultural diplomacy, education, and creative industries, highlighting the potential of cinema as a medium for cross-cultural dialogue and creative expression.