Cultura

July 2005

Die „Kräfte des Organischen” Transformationen des Naturbildes in C.F. Kielmeyers Karlsschulrede

Mathias GrotePages 7-25DOI: 10.5840/cultura2005221 ABSTRACT The so-called .Karlsschulrede. (1793) of the German naturalist Carl Friedrich Kielmeyer can be considered as a keystone to the understanding of “Naturphilosophie” both in German idealism (Schelling) and the romantic period. Kielmeyer’s work considers life as the result of specific forces in the organic realm and thereby searches to explain […]

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Krisis der Wissenschaftlichen Kultur? Edmund Husserls Forderung nach „Besinnung”

Christian MöckelPages 26-39DOI: 10.5840/cultura2005222 ABSTRACT Phenomenological philosophizing is practiced out of a sense of responsibility for contemporary culture, which is experienced as existing in a profound crisis. The first part of this contribution contains a systematization of the theory of crisis, a theory developed in many of Husserl’s works: the description of the main phenomena

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Shakespeare and Philosophy

David FreemanPages 40-49DOI: 10.5840/cultura2005223 ABSTRACT The nincteenth-century poet, critic and philosopher, Samuel Taylor Coleridge, once characterized the mind of William Shakespeare as “oceanic”. Oceans, of course, teem with myriad forms of life: is philosophy one such form in the oceanic vastness of Shakespeare’s creative genius? If so, how do we identify philosophic elements in his

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The Cipher as the Unity of Signifier and Signified

Nancy MardasPages 53-63DOI: 10.5840/cultura2005224 ABSTRACT A great deal has transpired — in philosophy and in the life-world — since the publication of two seminal essays by Anna Teresa Tymieniecka : Poetica Nova and that in which she introduced the concept of the “cipher” as the means by which human being creates and establishes itself within

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La pensée cosmologique, entre mythos et logos une approche herméneutique

Traian D. StänciulescuPages 64-73DOI: 10.5840/cultura2005225 ABSTRACT Mediated by a hermeneutic/semiotic reading of symbols, searching out and finding some similitudes between mythical constructions concerning the genesis of the world and scientific hypotheses can be considered fruitful from at least two viewpoints, since: (a) it allows the validation of a truth which is difficult to prove through

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Classification and the problem of nature values in Nicolai Hartmann writings

Alexandru GelanPages 74-81DOI:10.5840/cultura2005226 ABSTRACT The names “John Doe” for males, “Jane Doe” or “Jane Roe” for females, Version: 1 0 or “Jonnie Doe” and “Janie Doe” for children, or just “Doe” non-gen- der-specifically are used as placeholder names for a party whose true Remark: identity is unknown or must be withheld in a legal action,

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A Pathway towards Music Art the Meloethics. – Some Connections with the Phenomenology of Life –

Carmen CozmaPages 85-90DOI: 10.5840/cultura2005227 ABSTRACT Because our soul is touched and moved at its deepest levels. In contact with music, a spiritual tumult invades our entire being; and we are revealed to ourselves in a new and previously unknown way. Face to face with the harmonious sounds — giving music the status of an artistic

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L’icône russe depuis l’école novgorodénne à la “Céne” d’Alexandr Ivanov

Ludmila Bejenaru, Vladlen BabcinetchiPages 91-100DOI: 10.5840/cultura2005228 ABSTRACT The Russian icon was always related to the soul of the Russian painter, his anxiety and his emotions. Through the icon the russian has always expressed his faith and mentained the bundle with God. The icon has been considered by the russian people a bridge between human and

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