cadmin

Simona MitroiuPages 53-72DOI: 10.5840/cultura20063111 ABSTRACT The memory and the oblivion are the two coordinates which define the cultural identity. In this context the history is the result of the interactions between these two coordinates. The paper presents the relationship between memory and oblivion, emphasizing the special role of the oblivion and also trying to diminish […]

Cristina GelanPages 73-85DOI: 10.5840/cultura20063112 ABSTRACT To arrive at a practical solution in the political problem, one must take the road of aesthetics because, in Schiller’s opinion, it is only through beauty that we arrive at freedom. This can only be demonstrated if we first know the principles by which reason is guided in political legislation;

Paul Valadier SJPages 89-100DOI: 10.5840/cultura20063113 ABSTRACT L’expression d”anarchie des valeurs” préte a confusion. Elle peut en effet laisser entendre que dans la réflexion et la vie morale actuelles ne regne plus que confusion, chaos, donc anarchic entendue comme absence de principes organisateurs et structurants de la vie sociale et politique; elle peut aussi suggérer que

Luigi LuchiniPages 101-116DOI: 10.5840/cultura20063114 ABSTRACT The Byzantine art can also be called the Christian art of East, between 4th century in which arose and 14th century in which the sunset began. In the 6th century the true grandiose of the arts was created by the Byzantine. This art maintained these classic traditions for various centuries

Nicolae RâmbuOrcid-IDPages 117-129DOI:10.5840/cultura20063115 ABSTRACT Apart from what this word is usually known to mean (besides the known meanings of the term), the CLAQUE was in the history of the theatre a form of manipulation of the evaluation judgements and a way of corrupting the public’s taste. Infiltrated in the theatre hall, in the middle of

Florin VoicaPages 130-148DOI: 10.5840/cultura20063116 ABSTRACT This distance biographical will follow however one via little various from that in way immediate can to be meant like biography, because it will try to avoid the fall in that Nietzsche calls “error of the biographers” and that she will try not to stop itself on the personal identifying

David CornbergPages 151-160DOI: 10.5840/cultura20063117 ABSTRACT This essay uses semiotics and complexity theory to examine processes of sign formation. Simplicity and complexity, construed as differences in configuration of elements, are then applied to sign formation. Sign formation is understood as the effort of one entity to gain the attention of another entity. Examples such as signs

Traian D. StănciulescuPages 161-173DOI: 10.5840/cultura20063118 ABSTRACT The paper propose an assemble of (un)conventional explanatory hypotheses regarding insufficiently known aspects of the genesis and evolution of the human language. The causes and mechanisms that justify the hypothesis of an original linguistic nucleus generating ethnic dialects later on have been studied here. These aspects, regarded from the

Marius DumitrescuPages 174-184DOI: 10.5840/cultura20063119 ABSTRACT In his writings on mnemonics, Bruno established a complex affinity between magic and Kabbalah on the one hand, and between Lullism and the art of memory on the other. The Nolan is no stranger to the hermetic text of the Renaissance, based on the Corpus Hermeticum and especially on the

Mathias GrotePages 7-25DOI: 10.5840/cultura2005221 ABSTRACT The so-called .Karlsschulrede. (1793) of the German naturalist Carl Friedrich Kielmeyer can be considered as a keystone to the understanding of “Naturphilosophie” both in German idealism (Schelling) and the romantic period. Kielmeyer’s work considers life as the result of specific forces in the organic realm and thereby searches to explain