Volume 3, Issue 1, 2006

Gloria VergaraPages 7-18DOI: 10.5840/cultura2006316 ABSTRACT To speak of the influence of German poetry in Mexican Literature is a paradoxical question. On one hand, some critics affirm that Goethe and Schiller had a decisive influence over the Mexican romantic authors, while others as Enrique Anderson Imbert (History of Hispano-American Literature), only underline the indirect influence over […]

Carmen Cozma Pages 19-26DOI: 10.5840/cultura2006317 ABSTRACT A challenge to scrutinize the intimate unity of the aesthetical and the ethical levels of the human beingness in Friedrich Schiller’s theoretical writings makes the present essay’s content. We approach a basic idea unfolding the creed of the eminent artist and philosopher in the great power of ‘beauty’ to

Ioan Alexandru TofanPages 27-34DOI: 10.5840/cultura2006318 ABSTRACT My essay deals with two problems. First, I want to verify the possibility of a „non-metaphysical” perspective on Hegels writings and second, I want to answer the question „What kind of language is appropriate in order to express the speculative thought?”. I begin by discussing the Derrida’s view of

Ludmila BejenaruPages 35-40DOI: 10.5840/cultura2006319 ABSTRACT Since the first degrees of musicality of mankind, the music became a sphere of investigation for naturalists (Darwin), economists (Karl Bücher), philosophers (Spencer, Schopenhauer, Cioran), who tried to explain, through their theories, the process of the beginning and settlement of this phenomenon as well as its influence on the human

Manuela Teodora MihociPages 41-52DOI: 10.5840/cultura20063110 ABSTRACT Directive of muse, as any authentic poet, Friedrich Schiller, author of an indelibly work, expressed himself in various styles: theatre, lyrical, ballad, and works of aesthetical. Thirsty of truth, exceeding rationality, he wrote for cotemporary saddles a lesson of civilization, inviting on each to enjoy from art and to

Simona MitroiuPages 53-72DOI: 10.5840/cultura20063111 ABSTRACT The memory and the oblivion are the two coordinates which define the cultural identity. In this context the history is the result of the interactions between these two coordinates. The paper presents the relationship between memory and oblivion, emphasizing the special role of the oblivion and also trying to diminish

Cristina GelanPages 73-85DOI: 10.5840/cultura20063112 ABSTRACT To arrive at a practical solution in the political problem, one must take the road of aesthetics because, in Schiller’s opinion, it is only through beauty that we arrive at freedom. This can only be demonstrated if we first know the principles by which reason is guided in political legislation;

Paul Valadier SJPages 89-100DOI: 10.5840/cultura20063113 ABSTRACT L’expression d”anarchie des valeurs” préte a confusion. Elle peut en effet laisser entendre que dans la réflexion et la vie morale actuelles ne regne plus que confusion, chaos, donc anarchic entendue comme absence de principes organisateurs et structurants de la vie sociale et politique; elle peut aussi suggérer que

Luigi LuchiniPages 101-116DOI: 10.5840/cultura20063114 ABSTRACT The Byzantine art can also be called the Christian art of East, between 4th century in which arose and 14th century in which the sunset began. In the 6th century the true grandiose of the arts was created by the Byzantine. This art maintained these classic traditions for various centuries

Nicolae RâmbuOrcid-IDPages 117-129DOI:10.5840/cultura20063115 ABSTRACT Apart from what this word is usually known to mean (besides the known meanings of the term), the CLAQUE was in the history of the theatre a form of manipulation of the evaluation judgements and a way of corrupting the public’s taste. Infiltrated in the theatre hall, in the middle of