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Ion GagimPages 161-169DOI: 10.5840/cultura20074129 ABSTRACT “By music, someone can be converted to any error and verity; who would be able to combat the tone?” Friedrich Nietzsche The interaction music and conscience belongs to the most profound and direct relations. The repercussions for each of them are those of a defining character. On the one hand, […]

Till KinzelPages 170-180DOI: 10.5840/cultura20074130 ABSTRACT William Shakespeare (1564-1616) ist cin Dichter fur die ganze Menschheit. Seine Stiicke werden jahrein, jahraus auf zahlreichen Biihnen der Welt gespielt und von zahllosen Lesern genau studiert. Shakespeare ist unverindert populir, wovon nicht zuletzt die stattliche Anzahl von Verfilmungen seiner Dramen Zeugnis ablegt. Seine Werke enthalten cine unerschépfliche Fille an

Radu I. PetrescuPages 181-187DOI: 10.5840/cultura20074131 ABSTRACT Nous n’allons consacrer les lignes qui suivent ni, en général, au lieu commun du poéte inspiré par la divinité, au fameux poeta vates, ni au cas particulier de écrivain doué d’une intuition ou d’une intelligence des faits voisines de la clairvoyance, méme si les deux sujets sont possibles lorsquil

Alexandru BobocPages 5-16DOI: 10.5840/cultura2006321 ABSTRACT 1. Als Heidegger sich (1927) in Sein und Zeit vornahm, das Interesse an der ,,Frage nach dem Sinn von Sein“ zu erwecken, kiindete er ein offenes Werk an: (a) in Anniherung an die metaphysische Tradition des Abendlandes und (b) ,,in der Interpretation der Zes# als des méglichen Horizontes eines jeden

F. Eugeni, R. Mascella, D. PelusiPages 17-23DOI: 10.5840/cultura2006322 ABSTRACT All logic instruments and tools in possession of, and used by researchers are generally considered as the results of bivalent logic. A common error to people interested in science is that, usually, they don’t known with certainty which things are true and which are false. But

Paul BalahurPages 24-32DOI: 10.5840/cultura2006323 ABSTRACT 1. Language is a witness of change in the field of the knowledge. In its system of signs, also the “traces” that show “the movement of the signs” are conserved, meaning those dynamic signs that indicate problems and solutions of problems, and sometimes even the invention of new problems, which

Jörg ZellerPages 33-41DOI: 10.5840/cultura20063227 ABSTRACT It seems obvious that signs in visual art and musical notation are static carriers of visual and acoustic information. Both types of sign, however, represent dynamic processes. In real space-time, there exists no static visible thing or static audible sound. The sources of visible or audible information are dynamic —

Ludmila BejenaruPages 42-48DOI: 10.5840/cultura2006325 ABSTRACT “We have exhausted the evangelic field and we entered into the apocalyptic sphere” – will note Berdiaev in his work “The Irregularity Philosophy” (1923), expressing the ideas of an entire align of Russian philosophers and theologians, Rozanov (Russian Church, The Apocalypse of Our Time), Merejkovski, (Bolnaia Rossia), Florenski (Stolp T

Nicolae RâmbuOrcid-IDPages 49-67DOI: 10.5840/cultura20063220 ABSTRACT Durante il processo di Niirnberg, Alfred Rosenberg, accusato di aver avvelenato I’anima dei giovani con le sue idee del Mito del Novecento, esprime, verso la fine della vita ancora una volta, la sua convinzione nella sua innocenza. Lui ha parlato ai giovani solo “sulla cultura ed arte e sullapprofondimento dei

David CornbergPages 68-79DOI: 10.5840/cultura20063221 ABSTRACT For all whose eyes are clear and ears are open, it is a crystalline reality that we are riding a gigantic wave of globalization whose forces can as easily build mountains up to pinnacles as tear them down to fragments. With equal clarity, we can agree that in order to